东北大学学报(社会科学版) ›› 2012, Vol. 14 ›› Issue (4): 367-371.DOI: -

• 文学研究 • 上一篇    下一篇

从“实在”到“死亡”:文学视阈下作者与文本的关系

张燕楠,王秋菊   

  1. (东北大学外国语学院,辽宁沈阳110819)
  • 收稿日期:2012-01-10 修回日期:2012-01-10 出版日期:2012-07-25 发布日期:2015-11-10
  • 通讯作者: 张燕楠
  • 作者简介:张燕楠(1972-),男,辽宁沈阳人,东北大学副教授,主要从事西方文艺理论与当代美国文学研究;王秋菊(1962-),女,辽宁锦州人,东北大学教授,哲学博士,主要从事文化哲学与文化理论研究。
  • 基金资助:
    辽宁经济社会发展立项课题资助项目(2012lslktziwx-12)。

From “Reality” to “Death”: A Research on the Relationship Between Author and Text in Literature

ZHANG Yan-nan, WANG Qiu-ju   

  1. (Foreign Studies College, Northeastern University, Shenyang 110819, China)
  • Received:2012-01-10 Revised:2012-01-10 Online:2012-07-25 Published:2015-11-10
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摘要: 梳理了从亚里士多德时代到文艺复兴时期,再到现代、后现代时期作者的地位的嬗变过程,分析了作者从立足于“实在论”的客观实在,到作者自我意识的凸显使“实在”的作者变成“假定”的存在,从在作品中的失语到作者被隐匿于文本之后,再到被排除出批评家的视野,作者最终被颠覆、埋葬的现象。在作者的权威不断遭受挑战以至于最终作者“被死亡”的过程中,处于文本另一端的读者的地位不断上升,文本的独立性逐渐显现,从而走向自由愉快。这种双向逆动的趋向展现了消解中心、颠覆权威的解构的浪潮,以及“观看”的多样性成为可能的趋势。

关键词: 作者, 文本, 文学, 关系

Abstract: By examining the status of the author from the age of Aristotle to Renaissance, to modern and to postmodern ages, this paper suggests that the author as the objective reality in Aristotles Realism has been converted into the one with self-consciousness as a hypothetical being, which in turn is hidden under the text, exiled by the New Critics and finally exterminated by Roland Barthes. Whereas the author, whose authority has been challenged, departs from the center to the margin and finally to the death, the readers position keeps rising and the autonomy of the text gradually shows up. Eventually, the text casts off restrictions and marches to joy. The duplex movement reveals the tendency of decentralization and deconstruction of authority subversion as well as the popularization of artistic aesthetics.

Key words: author, text, literature, relationship

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