东北大学学报(社会科学版) ›› 2016, Vol. 18 ›› Issue (1): 105-110.DOI: 10.15936/j.cnki.1008-3758.2016.01.018

• 语言文学研究 • 上一篇    

“作者之死”的再审视

史凤晓   

  1. (中国人民大学外国语学院,北京100872)
  • 收稿日期:2015-06-16 修回日期:2015-06-16 出版日期:2016-01-25 发布日期:2016-01-26
  • 通讯作者: 史凤晓
  • 作者简介:史凤晓(1983-),女,山东莘县人,中国人民大学博士研究生,主要从事英美文学和西方文论研究。
  • 基金资助:
    中国人民大学科学研究基金(中央高校基本科研业务费专项资金)资助项目(10XNJ026)。

A Re-examination of “The Death of the Author”

SHI Feng-xiao   

  1. (School of Foreign Languages, Renmin University of China, Beijing 100872, China)
  • Received:2015-06-16 Revised:2015-06-16 Online:2016-01-25 Published:2016-01-26
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摘要: 法国思想家罗兰·巴尔特在《作者之死》中宣判了作者的死刑,其思想影响深远,学界就支持还是反驳这个观点争议不断。但是若将《作者之死》与巴尔特其他的作品对比阅读来厘清这个观点涉及到的作者、语言、文本与读者这些核心概念,会发现它的产生、发展轨迹及其中的变化与反复。这与他的思想发展与变化,把玩文字的游戏创作风格有关,也有人类思想发展的必然性。“作者之死”的思想脉络包含着比学界对“作者是否死了”的争议更丰富的理论内涵。将“作者之死”放入他更大的思想框架中和宏观的历史背景下,有助于对此观点的复杂性与丰富性形成更客观、更深刻的认识。

关键词: 作者, 文本, 语言, 读者, 罗兰·巴尔特, “作者之死”

Abstract: Roland Barthes sentenced the author to death in The Death of the Author, which has a profound effect. There have been constant debate and discussion regarding whether to support or repudiate it ever since. However, the comparative reading and analysis of such central concepts as the author, the language, the text and the reader in The Death of the Author with those in his other works will reveal the birth, development, change and reversal therein. It has something to do with the development of his thoughts and his habit of playing with words, which is partly attributed to the intellectual progress of human beings. It carries more theoretical connotations behind and beyond the academic debate. Placing “the death of the author” among Barthes thinking framework and the historical context will contribute to an impartial and deep understanding of its complexity and profundity.

Key words: author, text, language, reader, Roland Barthes, “the death of the author”

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