东北大学学报(社会科学版) ›› 2018, Vol. 20 ›› Issue (1): 105-110.DOI: 10.15936/j.cnki.1008-3758.2018.01.016

• 语言文学研究 • 上一篇    

新左翼女性美学视域下的审美政治化与父权意识暗合的批判——阐析桑塔格《迷惑人的法西斯主义》

李岩1,王纯菲2   

  1. (1.东北大学外国语学院,辽宁沈阳110819;2.辽宁大学文学院,辽宁沈阳110036)
  • 收稿日期:2017-07-10 修回日期:2017-07-10 出版日期:2018-01-25 发布日期:2018-01-19
  • 通讯作者: 李岩
  • 作者简介:李岩(1973-),女,辽宁沈阳人,东北大学副教授,文学博士,主要从事文艺美学、西方文论研究;王纯菲(1954-),女,辽宁沈阳人,辽宁大学教授,博士生导师,主要从事文化学、女性文学研究。
  • 基金资助:
    辽宁省社会科学规划基金资助项目(L16BWW006)。

Criticism of Collusion Between Aesthetic Politicization and Patriarchal Ideology in the Perspective of New Leftist Feminist Aesthetics——A Commentary About Susan Sontag's Fascinating Fascism

LI Yan1, WANG Chun-fei2   

  1. (1. Foreign Studies College, Northeastern University, Shenyang 110819, China; 2. College of Liberal Arts, Liaoning University, Shenyang 110036, China)
  • Received:2017-07-10 Revised:2017-07-10 Online:2018-01-25 Published:2018-01-19
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摘要: 随着“后理论”时代的来临,作为文化研究范式的后马克思主义与后现代女性主义文艺思想相勾连,衍生出“新左翼女性美学”。以桑塔格《迷惑人的法西斯主义》为蓝本,挖掘新左翼女性主义者如何从女性的独特视角出发,揭示和批判法西斯审美政治化与父权意识的暗合,指出法西斯强权美学的哲学根源实为父权中心主义所推崇的同一哲学。桑塔格“新左翼女性”美学在审美与政治的碰撞中书写着新左派特有的文化品位和先锋美学思想,将政治、审美、性别意识纳入后马克思主义框架加以考察,对后现代女性主义哲学的发展提供了新的思路和方向,对开阔马克思主义当代视域具有重要学术意义,同时对警惕各种新式极权主义具有现实意义。

关键词: 审美政治化, 苏珊·桑塔格, 新左翼女性美学, 后马克思主义

Abstract: With the coming of “post-theory” era, as a cultural research paradigm, post-Marxism is connected with postmodern feminist literary theory, and “new leftist feminist aesthetics” is thus derived. Based on Sontag's Fascinating Fascism, the paper explores how new leftist feminists, from the unique female perspective, reveal and criticize the collusion of aesthetic politicization and patriarchal ideology, and points out that the philosophical root of the powerful fascist aesthetics is the same philosophy advocated by Androcentrism. Sontag's “new leftist feminist aesthetics” shows unique cultural taste and pioneering aesthetic thoughts of the new leftist in the collision of aesthetics and politics. It studies politics, aesthetics and gender consciousness in the post-Marxist framework, and provides new thoughts and directions to the development of post-modern feminist philosophy. New leftist feminist aesthetics has important academic meaning in expanding the Marxist contemporary domain, while is of significance in alerting various new totalitarianisms.

Key words: aesthetic politicization, Susan Sontag, new leftist feminist aesthetics, post-Marxism

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