东北大学学报(社会科学版) ›› 2018, Vol. 20 ›› Issue (5): 545-550.DOI: 10.15936/j.cnki.1008-3758.2018.05.016

• 语言文学研究 • 上一篇    

库切与超验的无家可归——解读《男孩》与《迈克尔·K的生活和时代》中的农场意象

冯洋   

  1. (中国人民大学外国语学院,北京100872)
  • 收稿日期:2018-04-18 修回日期:2018-04-18 出版日期:2018-09-25 发布日期:2018-09-25
  • 通讯作者: 冯洋
  • 作者简介:冯洋(1990-),女,陕西西安人,中国人民大学博士研究生,主要从事20世纪英国文学与文学理论研究。

J. M. Coetzee and the Transcendental Homelessness——The “Farm” Theme in Boyhood and Life & Time of Michael K.

FENG Yang   

  1. (School of Foreign Languages, Renmin University of China, Beijing 100872, China)
  • Received:2018-04-18 Revised:2018-04-18 Online:2018-09-25 Published:2018-09-25
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摘要: J.M.库切在诸多作品中刻画了南非的农场。它代表着人类渴望回归但却永远无法回归的伊萨卡家园,弥散着卢卡奇所描述的后史诗年代中超验的无家可归的痛楚。着眼于库切的自传体小说《男孩》及虚构体小说《迈克尔·K的生活和时代》中出现的农场意象,分别诠释这两部作品中的主人公小库切和迈克尔·K在各自的人生旅途中所体验的超验的无家可归的状态。这种超验的无家可归既是集体在经历巨大历史创伤后的表现方式,也是个体在现代社会中被剥离生活本真后的自发状态。它展现了库切对其故土南非复杂而又扭曲的情感,也凸显了当代离散知识分子所感受到的身份游离和情感两难。

关键词: 库切, 农场, 超验的无家可归, 卢卡奇

Abstract: As an important theme in J.M.Coetzee's novels, “farm” represents the Homeric Ithaca to which people can never return, causing suffering from the transcendental homelessness illustrated by Lukács. The “farm” theme in Coetzee's two works Boyhood and Life & Time of Michael K. is focused upon, and the transcendental homelessness experienced by the two protagonists on their voyage of life is illustrated. This transcendental homelessness stems from the collective experience of enormous historical trauma as well as the individual deprivation of meaningful lives in the modern society. It reflects the complicated feelings J.M. Coetzee experienced towards his former homeland of South Africa, highlighting the identity crisis and emotional conflicts suffered by the contemporary diasporic intellectuals.

Key words: J.M.Coetzee, farm, transcendental homelessness, George Lukcs

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