东北大学学报(社会科学版) ›› 2020, Vol. 22 ›› Issue (4): 112-119.DOI: 10.15936/j.cnki.1008-3758.2020.04.015

• 语言文学研究 • 上一篇    下一篇

“国家”叙述中的族裔话语:美国华裔文学批评与美国国家文学史书写

杨明晨   

  1. (香港中文大学文化及宗教研究系,中国香港999077)
  • 收稿日期:2019-10-26 修回日期:2019-10-26 出版日期:2020-07-25 发布日期:2020-07-29
  • 通讯作者: 杨明晨
  • 作者简介:杨明晨(1990-),女,山东济南人,香港中文大学博士研究生,主要从事比较文学、20世纪中西跨文化研究。
  • 基金资助:
    北京市教育科学“十二五”规划青年专项课题资助项目(CDA14124)。

Ethnic Discourses in National Representation: Chinese American Literary Criticism and American Literary History Writing

YANG Ming-chen   

  1. (Department of Cultural and Religious Studies, The Chinese University of Hong Kong, Hong Kong 999077, China)
  • Received:2019-10-26 Revised:2019-10-26 Online:2020-07-25 Published:2020-07-29
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摘要: 1980年前后美国华裔文学进入美国主流文学史写作的视野,这使得华裔文学的批评话语和文化功能较之传统族裔研究视角有所区别。华裔文学既有的少数族裔性,在“国家文学”叙述体系中被认定为可以与其他群体文化发生关联的“异质性”,以此帮助建构其时多元主义的国家共同体想象。但在不断协商“多元”与“一统”的整体国家话语结构中,华裔文学始终难逃传统主流话语的宰制,这特别表现在语言正确性的要求、与经典国家文学的编排关系以及所遭到的文化品格的遴选等方面,其在国家叙述中实则面临着成为他者的命运。

关键词: 华裔文学, 美国文学, 国家共同体, 他者化

Abstract: Chinese American literature has come into the view of mainstream American literary writing since 1980s, which made its cultural function and critical discourses distinct from that under traditional ethnic researches. In the system of national literature, Chinese American literary ethnicity was labeled as heterogeneity that could be correlated with other cultural groups, and it was attached to the significance of building pluralistic American community imagination. However, in the national discourses that continuously negotiated between pluralism and unification, Chinese American literature was inevitably forced into consistent mainstream ideas, and it was evaluated by linguistic correctness, cooperation with traditional literary classics and popular cultural quality. As a result, Chinese American literature was actually marginalized as Other in national representation.

Key words: Chinese American literature, American literature, national community, Other

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