Changes of Mormon Female Images in the American Literature: 1840s-1940s
ZOU Yun-min, YUAN Xian-lai
2019, 21 (4):
435-440.
DOI: 10.15936/j.cnki.1008-3758.2019.04.015
Images of Mormon women in the American literature underwent drastic changes and registered antithesis between 1840s and 1940s. During the period of Salt Lake Valley settlement, “Mother in Heaven” was a prominent image in Mormon female writings, serving as the ideal self for Mormon women so as to consolidate the uniqueness of its ethnicity; during the period of Utah State establishment, Mormon female images often appeared in the mainstream literature as puppets or victims, helping to justify the charges of Mormon marriage as the source of moral contamination; during the period of Post-Manifesto, Mormon female images tended to embody the feature of homogeneity, namely, a combination of ethnic characteristics and American commonness, making the hard asserted Mormon ethnicity doomed to dissolve. Behind the literary combat on Mormon female images, there exist Mormon self-awareness and self-fashioning during different historical periods, which reveals the cultural conflicts and gaps against the general tendency of national integration in the American West.
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